posts comments
Showing posts with label compare and contrast. Show all posts
Showing posts with label compare and contrast. Show all posts

Literary Analysis Paper: Frederick Douglass and Night

the overview:
Frederick Douglass and Elie Wiesel both impacted their audiences through their writings. However, their similarities reach far beyond surface connections: both men suffered injustices based on elements of themselves they could not control; both found the strength to survive; both sought a truth they knew could not be found within themselves. By taking a deeper look at the texts, one may also find connections in the religious allusions, imagery, thematic elements (such as hope, knowledge, age, responsibility, or self-reflection), the importance of voice, specific characters or roles, and repetition. By analyzing these autobiographies, one may hope to create a well-written, four-paragraph essay which discusses both the similarities and differences of these two pieces.

the assignment:
We will think about and respond to the two autobiographies we completed thus far: Narrative of the Life of Frederick Douglass and Night. We will complete three parts to this compare and contrast / analytical essay: an outline (due Friday, 10/17 at the beginning of class); a rough draft, including a separate works cited page (due Friday, 10/24, at the beginning of class); and a final copy, including works cited page (due Monday, 11/3).

The outline should start with the MLA heading in the top, left corner (not in the header) and only appear on the first page. The introduction (Roman numeral one [I]) should contain four parts: attention getter, background information for Frederick Douglass, background information for Night, and a thesis statement. See the sample outline for an example. Your outline needs complete sentences for the attention getter and thesis; you may simple list information for the background (bullet points) or you may write it out in complete sentences, if you prefer. The two middle body points should have at least four parts: a topic sentence, written completely, and at least three supporting details (may be bulleted). The conclusion should restate the thesis (not exactly word-for-word) but reword the same idea in a different way. This should also be a complete sentence.

Again, a "rough" copy should be as complete and correct as possible. You will have 25 minutes Friday, 10/24 to review your partner's literary analysis and peer edit. The 15 minutes of that time will be dedicated to silent reading / reflection / grading and the last 10 minutes will be allotted to discussion. Graded rough drafts (peer edited) will be due to the teacher at the end of the period Friday, 10/24. If absent on this day, you and your partner will be allotted one extra day to meet to arrange peer editing. If you do not have your rough draft on the assigned day without a slip signed by a parent explaining legitimate reasoning (not "I just didn't get it done") you will forfeit your 100 points for the rough draft. The teacher will return the rough drafts (with additional commentary) by Monday, 27 October.

As with the last formal essay, final copies must be typed. You need to print out two copies of the final paper, stapling the rough draft and outline under the final copies.

I will mark "kinds" of errors only once in a paper (i.e., if you do not capitalize the first letter your sentences, I will mark the first sentence and no subsequent sentences). Due to time constraints on this assignment and the desire to not take any more time away from our Romeo and Juliet unit, we must stick to deadlines. If you are present, the paper is due. This paper will focus not only on following criteria but sticking to deadlines as well.

Remember, your outline should have four parts: an introduction, two body points (one for comparison and one for contrast), and a conclusion. Thus, your essay should correlate with this and contain exactly four paragraphs. Word count should be between 500-1000 words, total. Include a word count at the end of your paper. Use few "be" verbs in your paper. Do not include any 1st or 2nd person pronouns in this piece (outline, rough draft, or final copy). Eliminate statements such as "I think" or "I believe."

You should include direct quotes from both pieces in your writing to support your ideas. Be as specific as possible. Broad statements such as "both men suffered hardships" or "both men survived a lot" will earn little points. Be specific without being melodramatic. To learn how to include in-text notation (direct quotes), visit this link. It will also explain a works cited page. For additional help, visit the Purdue Online Writing Lab's MLA section.

As with all formal writings, include your word count at the end of your essay. Follow all other standard procedures for formal writings, including title page and double spacing. To review my requirements for formal writings, visit the link below: http://english9h.blogspot.com/2006/08/format-of-formal-writings.html

the content:
Only four students may sign up for each topic below. Choose carefully; you will not be able to change once you've signed up. Sign up sheets will be posted the morning of Tuesday, 10/14 outside my door. Notice both books, Frederick Douglass and Night, appear in all choices; you cannot write a compare/contrast essay over one book. Both must be included in your essay.


* Religious allusions in Frederick Douglass and Night
* Dark / light imagery in Frederick Douglass and Night
* Hope in Frederick Douglass and Night
* Understatement/overstatement OR ambiguity/hyperbole in Frederick Douglass and Night
* Knowledge in Frederick Douglass and Night
* Self-reflection OR the impact of "event" on self v. whole in Frederick Douglass and Night
* Importance of voice/speaking out in Frederick Douglass and Night
* Hugh Auld v. Moche the Beadle as teachers
* Mother figures (or lack of) in Frederick Douglass and Night
* Father figures (or lack of) in Frederick Douglass and Night
* Repetition of words in Frederick Douglass and Night
* Responsibility in Frederick Douglass and Night
* Age / impact of age in Frederick Douglass and Night
* Animal imagery / zoomorphism in Frederick Douglass and Night
* Strength in numbers v. Individual strength in Frederick Douglass and Night
* Writing style / tone / mood in Frederick Douglass and Night
* Antagonist in Frederick Douglass and Night

extra help:
As always, if you feel like you need help beyond what is available in the classroom, I will be available in my classroom before school 7:00-7:25am and after school until 4:30pm. I also check my email daily and may provide assistance this way as well. I cannot provide assistance if you do not ask; claiming to "not understand" an assignment and not asking for help is inexcusable. If you do not ask for help I will assume you understand the assignment and plan to turn it in, completed, on the due date. Keeping with the English department's late policy, this project will be accepted up to three days late, with a 10% penalty per day.

the values:
outline of analysis essay -- 50 points
rough copy of essay, including works cited page -- 100 points
final copy of essay, including works cited page -- 200 points

resources:
sample outline, introduction, title page, and works cited page: http://www.geocities.com/missyfeller/english9h/freddoug_night.pdf

summary of important information and dates:
13 October -- receive assignment / project sheets
14 October -- sign up sheet posted for topics
17 October -- outlines due, 50 points, typing not required
20 October -- graded outlines returned
24 October -- rough drafts due (no late rough drafts accepted), 100 points, peer editing, typing not required but preferred
27 October -- graded rough drafts returned
3 November -- final copies due, 100 points, must be typed

Indiana State Academic Standards met by this project:
10.3.2, 10.3.5, 10.3.9, 10.4.1, 10.4.2, 10.4.3, 10.4.13, 10.4.5, 10.4.7, 10.4.8, 10.4.10, 10.4.11, 10.4.12, 10.5.3, 10.6.1, 10.6.2, 10.6.3, 10.6.4

Daily Agenda 3/10

Today's Objectives:
* Students will analyze the relationships between characters in the text, including conflicts, motivations, and interactions.
* Students will explain how the author uses stylistic devices such as simile, epithet, Homeric simile, metaphor, personification, anthropomorphism, alliteration, foreshadowing, repetition, and symbol to achieve particular effects in an epic.

Today's Standards:
10.3.3, 10.3.4, 10.3.6, 10.3.7, 10.3.8, 10.3.12, 10.7.5

Today's Activities:
* Watch cartoon Odyssey
* Write at least 3 similarities on note card; 3 differences on other side

Today's Announcements:
* Interviews due TODAY -- last day accepted = 3/11
* Vocabulary 19-20 due tomorrow
* Double history period tomorrow -- meet in Ms. Hercules' room

Daily Agenda 11/20

Today's Agenda ~

~ Finish reading Act V, scene 3
~ Announcements: last day for mini compare and contrast essays was TODAY ; vocab lessons due today; persuasive essays due Monday when we return (will NOT be accepted late)
~ Watch Act V, scene 3 (old movie)

Daily Agenda 11/19

Today's Agenda ~

* Act IV Quiz (closed book)
* secondary seating please
* Announcements: mini compare & contrast essays accepted until Tues. 11/20; persuasive essays due 11/26 -- WILL NOT be accepted late; Act V quiz Wednesday; bonus quote quiz Wednesday
* Receive Act V notes (discuss scenes 1-2)
* Start reading / discussing scene 3

Daily Agenda 11/13

Today's Agenda ~

* Shortened schedule per assembly
* Turn in mini compare/contrast
* Vocab 25-26 due
* Announcements: all major assignments (100+ points) are posted online already for those of you who want an early start (persuasive essay, short story, soundtrack)
* Read / discuss Act III, scenes 2, 4
* Read it: * Scene 2 * Scene 3 * Scene 4
* Watch / discuss scene 3

Standards met today: 10.3.3, 10.3.4

Daily Agenda 11/9

*Finish Act III, scene i * read it
*Watch and discuss Zeffirelli and Luhrmann versions of Act III, scene i (3rd option for mini compare/contrast essay)
*Announcements: Mini-compare & contrast essays due Tues. 11/13; vocab 25-26 due Tues. 11/13; contact Mrs. Feller or Ms. Wayne by email if you need help with your essay over the weekend.

Standards met today: 10.3.3, 10.3.4, 10.7.8, 10.7.13

Daily Agenda 11/8

*Act II Quiz
*Copy down Act III notes from board
*Announcements: Mini compare & contrast essay due Tues. 11/13; vocab 25-26 due Tues. 11/13; contact Mrs. Feller or Ms. Wayne by email if you need help on your mini compare/contrast essay before Tuesday!!
*Start Act III, scene i * read it

Standards met today: 10.3.1, 10.3.3, 10.3.4, 10.3.7, 10.3.8, 10.3.12

Daily Agenda 11/7

Today's Agenda ~

* Portfolio reflections (15-20 min.)
* Announcements: mini compare and contrast essays due 11/13 (Tues); vocab 23-24 was due Tues 11/6; Act II quiz tomorrow
* Read Act II, scene vi * read it
* Review for Act II quiz

Standards met today: 10.3.3, 10.3.4, 10.4.11, 10.4.12

Daily Agenda 11/6

*Finish Web Quest homework (6th period only) 5 minutes
*Review Act II, scenes i-iv
*Announcements: Vocab 23-24 due today; Mini compare and contrast essays due 11/13 instead of 11/9
*Begin Act II, scene v
*Watch and discuss Act II, scene v (Juliet and Nurse) from both movies

Daily Agenda 11/2

*Read/watch/discuss Act II, scenes iii-iv
*Announcements: Last day of 2nd grading period - last day to turn in Vocab 21-22; last day to turn in Analytical (FD/Night Compare & Contrast essays)

Daily Agenda 11/1

Today's Agenda ~

* Finished reading / discussing Act II, scene 2 * read it
* Received 'mini compare/contrast' assignment sheet, due date 11/9, subject to change
* Announcements: bring FD and N books today or Friday; compare and contrast essays due 10/31; vocab due every Tuesday; end of grading period is 11/2
* Watch / discuss Act II, scene 2 from Zeffirelli and Luhrmann

Daily Agenda 10/31

Today's Agenda ~

* Start reading / discussing Act II, prologue * read it AND scene 1 * read it AND scene 2 * read it
* Announcements: compare/contrast essays due TODAY; vocab due every Tuesday; end of the grading period is Friday, 11/2, extra credit due by Friday

Daily Agenda 10/30

Today's Agenda ~

* Quiz over Act I
* Announcements: compare/contrast essay due TOMORROW 10/31 -- will not be accepted past Friday; vocab due today; end of grading period is Friday, 11/2; Ms. Wayne at Benjamin's today
* Extra credit masks due by Friday, 11/2 -- up to 20 points extra credit (mask needs to be life-size, with eye holes, with min. 5 sentence explanation of why you designed the mask in such a way.

Daily Agenda 10/16

Today's Agenda ~

* Finish reading / discussing chapters 8-9
* Look at examples of outlines / essays
* Announcements: vocab 17-18 due today; Darfur letters due yesterday; sign up for topics by Wednesday
* Read and discuss "The Yellow Star" no time -- consider doing tomorrow
* Honors reflection again, no time -- will consider doing tomorrow

Daily Agenda 10/15

Today's Agenda --

* Pick up assignment sheet and sample student work for literary analysis paper
* Pick up Frederick Douglass books and sign number and name on sheet
* Discuss literary analysis requirements
* Announcements: turn in Darfur letters TODAY; vocab 17-18 due TOMORROW; sign up sheets with topics posted tomorrow; choose topic by Wednesday 10/17
* read / discuss chapters 8-9 in Night (did not finish in 7th period)
* Look at sample outline / essay / etc.

Literary Analysis Paper: Frederick Douglass and Night

the overview:
Frederick Douglass and Elie Wiesel both impacted their audiences through their writings. However, their similarities reach far beyond surface connections: both men suffered injustices based on elements of themselves they could not control; both found the strength to survive; both sought a truth they knew could not be found within themselves. By taking a deeper look at the texts, one may also find connections in the religious allusions, imagery, thematic elements (such as hope, knowledge, age, responsibility, or self-reflection), the importance of voice, specific characters or roles, and repetition. By analyzing these autobiographies, one may hope to create a well-written, four-paragraph essay which discusses both the similarities and differences of these two pieces.

the assignment:
We will think about and respond to the two autobiographies we completed thus far: Narrative of the Life of Frederick Douglass and Night. We will complete three parts to this compare and contrast / analytical essay: an outline (due Friday, 10/19 at the beginning of class); a rough draft, including a separate works cited page (due Friday, 10/26, at the beginning of class); and a final copy, including works cited page (due Friday, 11/2).

The outline should start with the MLA heading in the top, left corner (not in the header) and only appear on the first page. The introduction (Roman numeral one [I]) should contain four parts: attention getter, background information for Frederick Douglass, background information for Night, and a thesis statement. See the sample outline for an example. Your outline needs complete sentences for the attention getter and thesis; you may simple list information for the background (bullet points) or you may write it out in complete sentences, if you prefer. The two middle body points should have at least four parts: a topic sentence, written completely, and at least three supporting details (may be bulleted). The conclusion should restate the thesis (not exactly word-for-word) but reword the same idea in a different way. This should also be a complete sentence.

Again, a "rough" copy should be as complete and correct as possible. You will have 25 minutes Friday, 10/26 to review your partner's literary analysis and peer edit. The 15 minutes of that time will be dedicated to silent reading / reflection / grading and the last 10 minutes will be allotted to discussion. Graded rough drafts (peer edited) will be due to the teacher at the end of the period Friday, 10/26. If absent on this day, you and your partner will be allotted one extra day to meet to arrange peer editing. If you do not have your rough draft on the assigned day without a slip signed by a parent explaining legitimate reasoning (not "I just didn't get it done") you will forfeit your 100 points for the rough draft. The teacher will return the rough drafts (with additional commentary) by Monday, 29 October.

As with the last formal essay, final copies must be typed. You need to print out two copies of the final paper, stapling the rough draft and outline under the final copies.

I will mark "kinds" of errors only once in a paper (i.e., if you do not capitalize the first letter your sentences, I will mark the first sentence and no subsequent sentences). Due to time constraints on this assignment and the desire to not take any more time away from our Romeo and Juliet unit, we must stick to deadlines. If you are present, the paper is due. This paper will focus not only on following criteria but sticking to deadlines as well.

Remember, your outline should have four parts: an introduction, two body points (one for comparison and one for contrast), and a conclusion. Thus, your essay should correlate with this and contain exactly four paragraphs. Word count should be between 500-1000 words, total. Include a word count at the end of your paper. Use no more than 15 "be" verbs in your paper. Do not include any 1st or 2nd person pronouns in this piece (outline, rough draft, or final copy). Eliminate statements such as "I think" or "I believe."

You should include direct quotes from both pieces in your writing to support your ideas. Be as specific as possible. Broad statements such as "both men suffered hardships" or "both men survived a lot" will earn little points. Be specific without being melodramatic. To learn how to include in-text notation (direct quotes), visit this link. It will also explain a works cited page. For additional help, visit the Purdue Online Writing Lab's MLA section.

As with all formal writings, include your word count at the end of your essay. Follow all other standard procedures for formal writings, including title page and double spacing. To review my requirements for formal writings, visit the link below: http://english9h.blogspot.com/2006/08/format-of-formal-writings.html

the content:
Only five students may sign up for each topic below. Choose carefully; you will not be able to change once you've signed up. Sign up sheets will be posted the morning of Tuesday, 10/16 outside my door. Notice both books, Frederick Douglass and Night, appear in all choices; you cannot write a compare/contrast essay over one book. Both must be included in your essay.

  • Religious allusions in Frederick Douglass and Night
  • Dark / light imagery in Frederick Douglass and Night
  • Hope in Frederick Douglass and Night
  • Understatement/overstatement OR ambiguity/hyperbole in Frederick Douglass and Night
  • Knowledge in Frederick Douglass and Night
  • Self-reflection OR the impact of "event" on self v. whole in Frederick Douglass and Night
  • Importance of voice/speaking out in Frederick Douglass and Night
  • Hugh Auld v. Moche the Beadle as teachers
  • Mother figures (or lack of) in Frederick Douglass and Night
  • Repetition of words in Frederick Douglass and Night
  • Responsibility in Frederick Douglass and Night
  • Age / impact of age in Frederick Douglass and Night
  • Animal imagery / zoomorphism in Frederick Douglass and Night
  • Strength in numbers v. Individual strength in Frederick Douglass and Night
  • Writing style / tone / mood in Frederick Douglass and Night

extra help:
As always, if you feel like you need help beyond what is available in the classroom, I will be available in my classroom before school 7:00-7:25am and after school until 4:30pm. I also check my email daily and may provide assistance this way as well. I cannot provide assistance if you do not ask; claiming to "not understand" an assignment and not asking for help is inexcusable. If you do not ask for help I will assume you understand the assignment and plan to turn it in, completed, on the due date. Again, this assignment will NOT be accepted late, so plan appropriately.

the values:
outline of analysis essay -- 50 points
rough copy of essay, including works cited page -- 100 points
final copy of essay, including works cited page -- 200 points

resources:
sample outline, introduction, title page, and works cited page: http://www.geocities.com/missyfeller/english9h/freddoug_night.pdf

summary of important information and dates:
15 October -- receive assignment / project sheets
16 October -- sign up sheet posted for topics
19 October -- outlines due, 50 points, typing not required
22 October -- graded outlines returned
26 October -- rough drafts due (no late rough drafts accepted), 100 points, peer editing, typing not required but preferred
29 October -- graded rough drafts returned
2 November -- final copies due, 100 points, must be typed (grade will be on 3rd six-week grading period)

Indiana State Academic Standards met by this project: 9.3.2, 9.3.5, 9.3.9, 9.4.1, 9.4.2, 9.4.3, 9.4.13, 9.4.5, 9.4.7, 9.4.8, 9.4.10, 9.4.11, 9.4.12, 9.5.3, 9.6.1, 9.6.2, 9.6.3, 9.6.4

Standard 3, Reading

Standard 3, Reading: Comprehension and Analysis of Literary Text

Students read and respond to grade-level-appropriate historically or culturally significant works of literature, such as the selections in the Indiana Reading List (www.doe.state.in.us/standards/readinglist.html) illustrate the quality and complexity of the materials to be read by students. At Grade 10, students read a wide variety of literature, such as classic and contemporary literature, historical fiction, fantasy, science fiction, folklore, mythology, poetry, short stories, dramas, and other genres.

Structural Features of Literature

10.3.1
Analyze the purposes and the characteristics of different forms of dramatic literature (including comedy, tragedy, and dramatic monologue).
Example: Analyze the features of plays, such as I Never Sang for My Father by Robert Anderson or Arsenic and Old Lace by Joseph Kesselring or A Piano Lesson by August Wilson or The Buck Private by Luis Valdez.

10.3.2
Compare and contrast the presentation of a similar theme or topic across genres (different types of writing) to explain how each genre shapes the author’s presentation of the theme or topic.
Example: Compare three different reactions to Lincoln’s death: Walt Whitman’s poem “O Captain! My Captain!” Frederick Douglass’ eulogy, and the report of Lincoln’s death from The New York Times on April 12, 1865. Analyze the differences among the genres and how the form impacts the reader’s perception of the event.

Analysis of Grade-Level-Appropriate Literary Text

10.3.3
Evaluate interactions between characters in a literary text and explain the way those interactions affect the plot.
Example: Compare the development of the characters as they are represented in Merlin: The Coming of Arthur by Sir Thomas Malory, retold in a collection by David Day and The Acts of King Arthur and His Noble Knights by John Steinbeck.

10.3.4
Analyze characters’ traits by what the characters say about themselves in narration, dialogue, and soliloquy (when they speak out loud to themselves).
Example: Read works, such as “I’m Nobody! Who Are You?” by Emily Dickinson or In Search of Our Mothers’ Gardens by Alice Walker, and analyze the characters, citing specific examples from the text to develop this description.

10.3.5
Compare works that express a universal theme and provide evidence to support the views expressed in each work.
Example: Analyze and compare selections that deal with the theme of independence developed in The House on Mango Street by Sandra Cisneros and The Childhood Story of Christy Brown (based on the film My Left Foot) by Christy Brown.

10.3.6
Evaluate an author’s development of time and sequence, including the use of complex literary devices, such as foreshadowing (providing clues to future events) or flashbacks (interrupting the sequence of events to include information about an event that happened in the past).
Example: Discuss how the games the boys play in school foreshadowed the coming of the war in A Separate Peace by John Knowles.

10.3.7
Evaluate the significance of various literary devices, including figurative language, imagery, allegory (the use of fictional figures and actions to express truths about human experiences), and symbolism (the use of a symbol to represent an idea or theme), and explain their appeal.
Example: Evaluate the imagery in poetry, such “I Wandered Lonely as a Cloud” by William Wordsworth and “Shall I Compare Thee to a Summer’s Day?” by William Shakespeare.

10.3.8
Interpret and evaluate the impact of ambiguities, subtleties, contradictions, ironies, and inconsistencies in a text.
Example: Read selections from short stories by Franz Kafka and evaluate the manner in which ambiguity and allegory function.

10.3.9
Explain how voice and the choice of a narrator affect characterization and the tone, plot, and credibility of a text.
Example: Read Darkness at Noon by Harold Krents and discuss the impact of the narration as the story unfolds.

10.3.10
Identify and describe the function of dialogue, soliloquies, asides, character foils, and stage designs in dramatic literature.
· Dialogue: a conversation between two characters
· Soliloquies: long speeches in which characters, on stage alone, reveal inner thoughts aloud
· Asides: words spoken by characters directly to the audience
· Character foils: characters who are used as contrasts to another character
· Stage designs: directions and drawings for the setting of a play
Example: Evaluate the function of different dramatic devices in Shakespeare’s The Tragedy of Julius Caesar.

10.3.13
Explain how voice, persona, and the choice of speaker (narrator) affect the mood, tone, and meaning of text.

Literary Criticism

10.3.11
Evaluate the aesthetic qualities of style, including the impact of diction and figurative language on tone, mood, and theme.
Example: Read Jurassic Park by Michael Crichton or The Perfect Storm by Sebastien Junger and evaluate the way the author’s style and descriptions help create a mood of tragedy and suspense.

10.3.12
Analyze the way in which a work of literature is related to the themes and issues of its historical period.
Example: Read a book such as Hornblower During the Crisis by C. S. Forester and tell how the author uses the story to convey larger themes about a period of transition in British history.

Mini Compare/Contrast -- Romeo and Juliet videos

the overview:
Franco Zeffirelli and Baz Luhrmann, two revolutionary directors of their time, showcased their expertise in their film adaptations of Shakespeare's classic love story Romeo and Juliet. Although audiences praised their work, critics found reason to berate the films. Critics found fault with Zeffirelli for casting a voluptuous, 15-year old Olivia Hussey to play the part of 13-and-a-half year-old Juliet. Critics viewed Luhrmann's setting, Verona Beach, and its cast of colorful characters (including a cross-dressing Mercutio, played by Harold Perrineau) as too far removed from the dusty, hot streets of Medeival Verona, Italy. Although both directors took creative liberties with Shakespeare's play, including re-arranging or deleting scenes, removing or adapting characters, and editing lines or stage directions, they share a similarity: both men felt a need to present a beautiful story to an audience in a way which could be understood, and for this, they deserve praise.

the assignment:
We will think about and respond to the two film adaptations of Romeo and Juliet. Unlike previous writings, we will not create an outline or a rough draft, although I will offer to proofread/correct rough copies before the final is due. And unlike the other essays, this one will also be significantly shorter (500 words in length). No title page will be necessary. Include a MLA heading on the top, left corner of your paper and a title, centered, below the heading. Start your paper on the next line. And, as always, double-space, whether hand-written or typed. This essay is due on Wednesday, November 22.

No more than 1/3 of your sentences should contain "be" verbs. Do not include 1st or 2nd person pronouns in this piece. Eliminate statements such as "I think" or "I believe." Never write "In this paper I will tell you" or "In this paper you will find." Papers with statements of this manner will be returned, ungraded, for correction. As Honors students, you should be beyond this type of vocabulary / word usage.

In a true compare/contrast paper, you should have four paragraphs. Start with an introduction, complete with attention getter, background information, and thesis statement. If I wrote about both entire movies, I'd write a thesis statement like the one below. Remember, a thesis statement tells the subject of my entire paper. My goal is to compare and contrast the two movies; therefore, I must mention comparing and contrasting, similarities and differences, or some other terminology related to this concept, in my thesis statement.

Although both directors took creative liberties with Shakespeare's play,
including re-arranging or deleting scenes, removing or adapting characters, and
editing lines or stage directions
, they share a similarity: both men felt a need
to present a beautiful story to an audience in a way which could be
understood
, and for this, they deserve praise.


My paper will follow the order of my thesis. If I mention differences first, my first body paragraph must be about the differences between both movies. A compare / contrast essay CANNOT contain a paragraph about one topic and a separate paragraph about another. You must include both topics in both body paragraphs.

You should include direct quotes from the play in this essay. You will need at least one quote from your scene in each of the two body paragraphs. Look at the example below.

"Where be these enemies? Capulet! Montague! / See what a scourge is laid upon
your hate, / that heaven finds means to kill your joys with love" (RJ 5.3.291-293).


As with all formal writings, include your word count at the end of your essay. To review my requirements for formal writings, visit the link below: http://english9h.blogspot.com/2006/08/format-of-formal-writings.html

the content:
Concentrate on one of three scenes: the balcony scene (Act 2, scene 2); Juliet and the Nurse's scene (Act 2, scene 5); or the fight scene (Act 3, scene 1).

extra help:
As always, if you feel like you need help beyond what is available in the classroom, I will be available before school 7:00-7:30 and after school until 4:30. I also check my email daily and may provide assistance this way as well. I cannot provide assistance if you do not ask; claiming to "not understand" an assignment and not asking for help is inexcusable. If you do not ask for help I will assume you understand the assignment and plan to turn it in, completed, on the due date. Again, this assignment will NOT be accepted late, so plan appropriately.

the value:
mini compare/contrast essay, including work cited page -- 100 points

work cited:
A work cited page must contain the resources cited in the essay. Look at the examples below for help. Remember, you must hang indent your entry. Also include the words Work Cited, centered, before the entry.

English office copy:
Shakespeare, William. The Tragedy of Romeo and Juliet. Austin: Holt, Rinehart and Winston, 1994.

No Fear Shakespeare:
Shakespeare, William. No Fear Shakespeare: Romeo and Juliet. New York: Spark Notes, 2003.

Simply Shakespeare:
Shakespeare, William. Simply Shakespeare: Romeo and Juliet. Hauppauge: Barron's Educational Series, 2002.

Cliff's Complete:
Shakespeare, William. Cliff's Complete: Shakespeare's Romeo and Juliet. New York: Hungry Minds, 2000.

resources:

Romeo and Juliet Trailer, Cast, Movies -- New York Times
http://movies2.nytimes.com/gst/movies/movie.html?v_id=42021

Wikipedia Entry: Franco Zephirelli
http://en.wikipedia.org/wiki/Franco_Zeffirelli

Wikipedia Entry: Romeo+Juliet
http://en.wikipedia.org/wiki/Romeo_and_Juliet_(1996_film)

Wikipedia Entry: Baz Luhrmann
http://en.wikipedia.org/wiki/Baz_Luhrmann

Indiana State Academic Standards met by this project: 9.1.2, 9.3.2, 9.3.3, 9.3.4, 9.3.5, 9.3.8, 9.4.1, 9.4.2, 9.4.3, 9.4.13, 9.4.5, 9.4.6, 9.4.7, 9.4.8, 9.4.10, 9.4.11, 9.4.12, 9.5.2, 9.5.3, 9.5.7, 9.5.8, 9.6.1, 9.6.2, 9.6.3, 9.6.4, 9.7.7, 9.7.8, 9.7.10, 9.7.13

Daily Agenda 10/23

Today, we accomplished...

  • turned in rough drafts for compare / contrast essay
  • took survey: conflict of interests -- will retake survey after reading RJ
  • started discussing Romeo and Juliet
  • discussed characters
  • received flow chart with "struggles" as center
  • vocab due Friday

Sample Outline--Compare & Contrast essay

Student Name

Mrs. Feller

English 9H

18 October 2006


Outline for Compare/Contrast Essay --

Climaxes in Frederick Douglass and Night


I. Introduction


A. Attention getter: In the pinnacle moment when one looks inwardly

and discovers the true self, one may find strength while others discover a

shell encasing disregarded and abandoned opportunity.


B. Background information (Frederick Douglass): After facing the daily

oppression of slave life, frequent changes in ownership, and deaths of

family and acquaintances, Frederick Douglass leaves Master Thomas to

work as a hired slave for Edward Covey. Although active in the church,

Covey lashes out against Frederick and the other slaves, maintaining his

reputation as a “slave-breaker” (Douglass 58). The climax in Douglass’

autobiography occurs after Covey nearly beats Frederick to death, and

Frederick appeals to Master Thomas for help. Master Thomas sends him

back to Covey, and a couple days later, Covey attempts to whip

Frederick once more. However, Frederick “resolve[s] to fight,” “seize[s]

Covey hard by the throat,” and thus creates a hopeful turning-point for

him in his long journey toward freedom (Douglass 69).


C. Background information (Night): A. Wiesel, too, struggles toward

freedom from his bondage. Throughout his memoir, Wiesel depicts

horrendous acts of genocide he observes during the Holocaust, including

the slaughter of innocent youths, senseless murder of invalids, and

other, unpredictable executions. After surviving numerous selections

and a long death march, Elie and his father arrive at Buchenwald. Soon

after, Elie’s father suffers from dysentery and dies. Three months later,

the Americans rescue the survivors left at Buchenwald, including Elie.

The climax of his autobiography occurs at the end, when Elie finally

views himself in a mirror – the first time since he left the ghetto. Yet Elie

does not discover hope as he peers into the eyes of the reflection. “From

the depths of the mirror, a corpse gaze[s] back” (Wiesel 77).


D. Thesis statement: The climaxes represent change in the narrators of

Frederick Douglass and Night; however, Elie realizes his lack of self-

knowledge whereas Frederick’s idea of self comes to fruition.


II. Compare


A. Topic sentence: The climaxes of Frederick Douglass and Night both

signify a culmination of their times as victims of injustices.


B. Supporting details: both characters start naïve


C. Supporting details: both characters experience a realization


D. Supporting details: both use their own strength when the climax

occurs


III. Contrast


A. Topic sentence: The climaxes of Frederick Douglass and Night

represent moments of realization for the two narrators; Frederick finds

strength, and Elie sees his frailty.


B. Supporting details: climax of Frederick Douglass occurs midway

through autobiography; climax of Night occurs at the end


i. Frederick Douglass contains chapters reflecting the effect of the

climax; Frederick’s life positively affected by the climax


ii. Night ends with the climax signifying limitations / no where else

to go; his life is the Holocaust and its events; Holocaust consumes his life

and himself


C. Supporting details: hopeful/positive climax of Frederick Douglass;

gloomy/negative climax of Night


IV. Conclusion


A. Restate/reword thesis: Although both narrators seek and discover

the “self” in the climaxes of Frederick Douglass and Night, their findings

differ greatly.