posts comments
Showing posts with label foreshadowing. Show all posts
Showing posts with label foreshadowing. Show all posts

"The Monkey's Paw" by W. W. Jacobs

What would you do with three wishes?



About the Author:
  • born / died: b. 1863; d. 1943
  • nationality: British
  • mainly known for: humorous works / macabre works
Literary Focus: Plot and foreshadowing; using prior knowledge to make predictions

  • recall that plot concerns the "sequence of related events in a story"
  • a typical plot concerns a conflict, or a "struggle between opposing forces"
  • conflicts can be either internal (person versus self) or external (person versus person, society, nature/environment, supernatural, or machine[s])
  • foreshadowing adds tension to a narrative; it concerns "giving details that hint at upcoming events"
Indiana Standards: 10.2.4, 10.3.3, 10.3.6

Resources:

  • full text in literature book, pages 32-41
  • full text online, e-text link
  • full text online, e-text link
  • Wikipedia entry, including plot summary, adaptations, and additional links
  • full text audio .mp3, approximately 1 hour, as read by actor John Lithgow (story begins at approximately 29:30)

Vocabulary: maligned, furtively, apathy, alter, evaluate, complicate, intervene

Before You Read:

Consider the following statements by agreeing or disagreeing:

  • One should be content with his or her life as it is.
  • People should not play games with fate.
  • You should never be afraid to be the master of your own destiny.
  • There is no such thing as a free lunch.

During Reading:

  • Infer: What is significant about the chess game at the beginning of the story? How might it be interpreted as symbolic?
  • Interpret: Pay attention to the members of the White family. How can they be described?
  • Interpret: Who is Sergeant Major Morris? What role does he play throughout the story?
  • Infer: How might the first two of the White's wishes turn out bad in the end?
  • Infer: What was the White's third wish?

After You Read:

  • Return to the "before you read" statements and agree or disagree again, based on the new knowledge obtained from the short story. Reflect on why answers may have changed.
  • Response to literature: Write a brief sequel to this tale in which someone else finds the paw. (1) Use a plot line, story model, or story map to plan the details for your story. (2) Use descriptive words to create a spooky atmosphere of horror. Use foreshadowing to build suspense.

Standard 3, Reading

Standard 3, Reading: Comprehension and Analysis of Literary Text

Students read and respond to grade-level-appropriate historically or culturally significant works of literature, such as the selections in the Indiana Reading List (www.doe.state.in.us/standards/readinglist.html) illustrate the quality and complexity of the materials to be read by students. At Grade 10, students read a wide variety of literature, such as classic and contemporary literature, historical fiction, fantasy, science fiction, folklore, mythology, poetry, short stories, dramas, and other genres.

Structural Features of Literature

10.3.1
Analyze the purposes and the characteristics of different forms of dramatic literature (including comedy, tragedy, and dramatic monologue).
Example: Analyze the features of plays, such as I Never Sang for My Father by Robert Anderson or Arsenic and Old Lace by Joseph Kesselring or A Piano Lesson by August Wilson or The Buck Private by Luis Valdez.

10.3.2
Compare and contrast the presentation of a similar theme or topic across genres (different types of writing) to explain how each genre shapes the author’s presentation of the theme or topic.
Example: Compare three different reactions to Lincoln’s death: Walt Whitman’s poem “O Captain! My Captain!” Frederick Douglass’ eulogy, and the report of Lincoln’s death from The New York Times on April 12, 1865. Analyze the differences among the genres and how the form impacts the reader’s perception of the event.

Analysis of Grade-Level-Appropriate Literary Text

10.3.3
Evaluate interactions between characters in a literary text and explain the way those interactions affect the plot.
Example: Compare the development of the characters as they are represented in Merlin: The Coming of Arthur by Sir Thomas Malory, retold in a collection by David Day and The Acts of King Arthur and His Noble Knights by John Steinbeck.

10.3.4
Analyze characters’ traits by what the characters say about themselves in narration, dialogue, and soliloquy (when they speak out loud to themselves).
Example: Read works, such as “I’m Nobody! Who Are You?” by Emily Dickinson or In Search of Our Mothers’ Gardens by Alice Walker, and analyze the characters, citing specific examples from the text to develop this description.

10.3.5
Compare works that express a universal theme and provide evidence to support the views expressed in each work.
Example: Analyze and compare selections that deal with the theme of independence developed in The House on Mango Street by Sandra Cisneros and The Childhood Story of Christy Brown (based on the film My Left Foot) by Christy Brown.

10.3.6
Evaluate an author’s development of time and sequence, including the use of complex literary devices, such as foreshadowing (providing clues to future events) or flashbacks (interrupting the sequence of events to include information about an event that happened in the past).
Example: Discuss how the games the boys play in school foreshadowed the coming of the war in A Separate Peace by John Knowles.

10.3.7
Evaluate the significance of various literary devices, including figurative language, imagery, allegory (the use of fictional figures and actions to express truths about human experiences), and symbolism (the use of a symbol to represent an idea or theme), and explain their appeal.
Example: Evaluate the imagery in poetry, such “I Wandered Lonely as a Cloud” by William Wordsworth and “Shall I Compare Thee to a Summer’s Day?” by William Shakespeare.

10.3.8
Interpret and evaluate the impact of ambiguities, subtleties, contradictions, ironies, and inconsistencies in a text.
Example: Read selections from short stories by Franz Kafka and evaluate the manner in which ambiguity and allegory function.

10.3.9
Explain how voice and the choice of a narrator affect characterization and the tone, plot, and credibility of a text.
Example: Read Darkness at Noon by Harold Krents and discuss the impact of the narration as the story unfolds.

10.3.10
Identify and describe the function of dialogue, soliloquies, asides, character foils, and stage designs in dramatic literature.
· Dialogue: a conversation between two characters
· Soliloquies: long speeches in which characters, on stage alone, reveal inner thoughts aloud
· Asides: words spoken by characters directly to the audience
· Character foils: characters who are used as contrasts to another character
· Stage designs: directions and drawings for the setting of a play
Example: Evaluate the function of different dramatic devices in Shakespeare’s The Tragedy of Julius Caesar.

10.3.13
Explain how voice, persona, and the choice of speaker (narrator) affect the mood, tone, and meaning of text.

Literary Criticism

10.3.11
Evaluate the aesthetic qualities of style, including the impact of diction and figurative language on tone, mood, and theme.
Example: Read Jurassic Park by Michael Crichton or The Perfect Storm by Sebastien Junger and evaluate the way the author’s style and descriptions help create a mood of tragedy and suspense.

10.3.12
Analyze the way in which a work of literature is related to the themes and issues of its historical period.
Example: Read a book such as Hornblower During the Crisis by C. S. Forester and tell how the author uses the story to convey larger themes about a period of transition in British history.

Songs: "Frankie and Johnny"

"Frankie and Johnny" a traditional American popular song
{an example of foreshadowing, repetition, simile, and onomatopoeia}

Frankie and Johnny were lovers
Oh lordy, how they could love
Swore to be true to each other
Just as true as the stars above
He was her man, but he done her wrong {repetition}

Well, Frankie went down to the corner
To get a bucket of beer
She said to the fat bartender
"Has my lovin' Johnny been here?
He was my man, I think he's doing me wrong"

"Well, I don't want to cause you no trouble
And I don't want to tell you no lies
But I seen your man about an hour ago
With that high-browed Nellie Bly
He was your man, I think he's doing you wrong"

She took a cab at the corner
And said "Driver step on this can
For you're looking at a desperate gal
Been two-timed by her man
He was my man, but he done me wrong"

Then Frankie went home in a hurry
She didn't go there for fun
Frankie went home to get a-hold
Of Johnny's shooting gun

He was her man, but he done her wrong

Frankie peeked over the transom
And there to her surprise
She saw her lovin-man Johnny
With that high-browed Nellie Bly
He was her man, and he was doing her wrong

Then Frankie pulled back her kimono
And she pulled out a small .44
And root-e-toot-toot three times she shot
Right through that hardwood door
He was her man, but he done her wrong

"Well roll me over on my left side
Roll me over so slow,
Roll me over on my left hand side, Frankie,
Them bullets hurt me so,
I was your man, but I done you wrong"

Now, bring round your ruber-tired buggy
And bring round your rubber-tired hack
I'm taking my man to the graveyard
I ain't gonna bring him back
He was my man, but he done me wrong

Well this story has no moral
And this story has got no end
Well the story just goes to show you women
That there ain't no good in men
He was her man, but he done her wrong

Literary Devices in Songs, Continued

I'm glad we all have a better grasp on repetition (although most of us can't spell it ).

We also seem to get personification -- although we need to remember that a phrase only counts as personification if the action is a "human" action. To say "the sun melts" CANNOT be personification; although the sun cannot really melt, a human can't either. This could be symbolism or a metaphor, depending on how it is used.

Remember, a metaphor is a comparison of two unlike things, saying one is equal to the other (my love is a red, red rose). Similes, however, compare two unlike things using like or as. (my love is like a red, red rose OR my love is as red as a rose).

Irony comes in three packages: verbal, situational, and dramatic. Verbal irony is like sarcasm: saying something and meaning another. Situational irony involves the event itself; what happens is not what is expected to happen. Dramatic irony usually occurs in plays; the audience knows what's happening (or what already happened) but the characters do not.

Now that we've got those four literary devices mastered (or close to it), let's try to find the following ones in song lyrics. Feel free to use children's songs too! If you can't remember what some of these lit devices are, refer to your notes from last semester or visit the links provided on the original post below this one.



Another great resource: http://www.thewallflowersweb.com/glossary.htm

http://www.northern.edu/wild/dany/mxthea05/Mt_Lyrics_s03.pdf

http://www.readwritethink.org/lessons/lesson_view.asp?id=115